Abstract: Violence, as a concept, has shaped most of human history and discourse. Over the centuries, the concept has gone through dynamic evolutions and should be understood in relation to diverse agents such as nation, nostalgia, and culture. Modern society’s tendency to impede and constrain overt forms of violence has paved the way for covert […]
Abstract: The article raises the question of constant violent acts, primarily military, despite the longtime general condemnation thereof. This turns us to the problem of ontology of violence. The approach suggested here is based on understanding violence as labor with the excessive use of force. This is related to the understanding of force as the
Abstract: In this essay, the author regards the individual as the chief courier of History, and Mr. Putin, the immediate cause of Russia’s invasion of Ukraine – distinguishing his agency from broad precipitating socio-historical causes that deny inwardness, individuality, and free-will. A dark puppeteer, Mr. Putin is more sinister than Plato’s puppeteers (Allegory of the
Abstract: If “classical” lies aimed to conceal truth and “modern” ones attempted to destroy it, “postmodern” propaganda targets the self and the certainty of thinking. The organized lies of our times aim to silence the self by sabotaging our ability to make sense of the world. As a result, it is difficult to speak truth
Abstract: The sheer number and scale of the war crimes and crimes against humanity committed by the Russian military in Ukraine since the beginning of their all-out invasion, has prompted many experts and politicians to define this brutality as a genocide and seek for the prosecution of perpetrators under international law. The lawyers are cautious
Preview: Words have weight and power; and so do narratives and ideas. They can shape and re-shape realities. They can reveal unheard and unthought of before aspects and dimensions of the world we live in, and in this sense, constitute truth for us; however, they can also, by means of the very same gravity conceal,
Preview: /Review: Justo Serrano Zamora, Democratization and Struggles Against Injustice (London and New York: Rowman and Littlefield, 2021), 232 pages./ “No, no, we are not satisfied, and we will not be satisfied until justice rolls down like waters, and righteousness like a mighty stream.” In amongst a plethora of memorable metaphors and other impressive rhetorical
Preview: /Review: Satoshi Higuchi, Somaesthetics and the Philosophy of Culture: Projects in Japan (New York, NY; Oxford, England: Routledge, 2021), 138 pages./ Satoshi Higuchi’s Somaesthetics and the Philosophy of Culture is a succinct and innovative work in aesthetics and philosophy of education, despite what the title may otherwise imply. Indeed, the title may be the only
Abstract: This paper takes up Hadot’s call for more comparative work on Buddhism and Philosophy as a Way of Life by comparing Zen Master Hakuin Ekaku’s artwork Pilgrims with the graffiti artist Banksy’s The Street is in Play. Beyond the striking similarities in form and apparent tongue-in-cheek criticism of graffiti, this paper explains the context
Abstract: The goal of the text is to reconstruct the concept of cultural normativity found in the phenomenological philosophy of law. The starting point of the text is the distinction between cultural normativity and normativity in culture. This distinction is based on reference to an extra-cultural, but not non-human instance – transcendent to the creations
