Abstract: In 1870, Wilhelm Richard Wagner (1813-1883) wrote an essay to celebrate the centennial of Beethoven’s birth. In this essay Wagner made the case that music is, unlike any other object we create or are attentive to in experience, in an immediate analogical relationship with the activity of the Schopenhauerian “will” and is always enlivened. […]
Abstract: The essay presents an attempt at characterizing contemporary music’s culture by identifying a dialectical tension between “modern” and “postmodern” currents in it. After initial considerations on the manifold usages of the term “postmodernism,” five composers’ approaches will be analyzed: John Cage, Philip Glass (and other minimalists), Bernhard Lang, Mauricio Kagel and Johannes Kreidler. However
Abstract: The aim of this essay is to give a general and accessible overview of the so called “post-secular” turn in the contemporary humanities. The main idea behind it is that it constitutes an answer to the crisis of the secular grand narratives of modernity: the Hegelian narrative of the immanent progress of the Spirit,
Abstract: My argument in this paper is that Charles Taylor’s view of liberty and ethics unites Isaiah Berlin’s liberal pluralism with Elizabeth Anscombe’s virtue ethics. Berlin identifies, in “Two Concepts of Liberty,” a tradition of negative liberty advocated by figures like Locke and Mill. He maintains that this concept of liberty is unique to modernity,
Abstract: It stands to reason that a criterion is needed that can serve as a common denominator for weighing or assessing different values or ideals. Dignity is offered as a possible candidate, to be presented from religio-legal and cross-cultural vantages. A definition will be offered for dignity and its parts defended throughout the paper. The
Abstract: The scientific and philosophical approach to pain must be supplemented by a hermeneutics studying how racism has complicated the communication of pain. Such an investigation reveals that not only are non-white people seen as credibly speaking their pain, but also pain “science” is one of the ways races have historically been constructed. I illustrate
Abstract: We address Mark Tschaepe’s response to Tibor Solymosi, in which Tschaepe argues that neuropragmatism needs to be coupled with humility in order to redress “dopamine democracy,” Tschaepe’s term for our contemporary situation of smartphone addiction that undermines democracy. We reject Tschaepe’s distinction between humility and fallibility, arguing that audacious fallibility is all we need.
Preview: /Review: Małgorzata Przanowska, Listening and Acouological Education (Warszawa: Wydawnictwa Uniwersytetu Warszawskiego, 2019), 306 pages./ Małgorzata Przanowska’s book restores to us a fascinating resonance of our way of being in the world. It gives voice to the rustling aspect of thoughts, the vibrations of human bodies and the cosmos. The author is interested in the
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Preview: /Review: Mark Johnson, The Aesthetics of Meaning and Thought: The Bodily Roots of Philosophy, Science, and Art (Chicago: University of Chicago Press, 2018), 293 pages./ In The Aesthetics of Meaning and Thought: The Bodily Roots of Philosophy, Science, and Art, Mark Johnson seeks to expand his earlier work with George Lakoff in developing conceptual
