Abstract: The paper is a modest attempt at a careful assessment of Werner Hamacher’s version of deconstruction as a reading strategy which centers upon the idea of the afformative caesura. In order to probe the potential and the possible limits of Hamacher’s strategy, the author presents a Hamacherian reading of one of Paul Celan’s poems, […]
Abstract: The paper is an attempt at a systematic review and a tentative synthesis of the philosophically most relevant theories of voice that are to be found within the psychoanalytic tradition. Beginning with some reflections borrowed from Thomas Ogden, the author proceeds to examine two lines of thinking about voice: the ‘paternal’ line which discusses
Abstract: The author begins by analyzing Walter Benjamin’s quarrel with George Kreis and the respective visions of culture advocated by both sides of the debate. Then, he offers a reading of a poem by Paul Celan in which the poet sides with Benjamin, but also makes his position more complex, ultimately offering a paradoxical figure
Abstract: In the first part of the paper the author briefly revisits two of the most important traditions that stand behind the contemporary conceptualizations of affect: the Deleuzian tradition and the Lacanian one. Having pointed to the most important features of the two lines of thinking affect, as well as to certain difficulties that arise
Abstract: The paper discusses the possibility of a cinematic image which represents future catastrophes, while avoiding ideological entrapments and self-serving fantasies. Taking a Japanese ghost story and a brief note by Walter Benjamin as his dual starting point, the author first attempts to define the possible dangers inherent to the very idea of showing the
Abstract: In the first part of the paper the author offers a frank reassessment of Ludwig Wittgenstein’s philosophy. He dismisses the Tractatus as philosophically irrelevant but points to the unshaken validity of the main tenents of Wittgenstein’s later philosophy, especially the idea of speech acts being inevitably interwoven with extralinguistic, bodily practices. In the second
Abstract: In the first part of the paper the author focuses on the way the great historian and thinker Gershom Scholem understood the Lurianic idea of tsimtsum (i.e. divine contraction as the first act of creation) as the key category of Jewish theology. Next, he combines the conceptual structure emerging from the Scholemian understanding of
